longdaysjourney

Thursday, February 17, 2005

Questions or Concerns

If you have any questions or concerns regarding this assignment, please post them here and I will check periodically (and answer back).

Mr. Kelso

Wednesday, February 16, 2005

Tips on Writing This Essay on O'Neill

First off, make sure you know this play backwards and forwards. We've read the play and we've seen the definitive performance of it.

Have the play with you as you work on the essay.

Select the topic that works best for you.

Consider outlining your ideas before you actually write your draft.

Keep your introduction clear and brisk. Be sure to mention author and title in your introduction. Be sure your thesis is clear and focused. This will give your introduction more of a punch and will direct/forecast the rest of the essay.

Keep your paragraphs thoughtful and unified. When you change ideas, change paragraphs.

Come up with a conclusion that really accentuates a final thought/idea. Leave your reader with something further to think about.

Allow time to proofread your writing.

Tell yourself that this essay will be one of your best.

Proofread, proofread, proofread.

Don't cut and paste your document on the blog until you've read it several times. Make it perfect.

Finally, be sure to give your essay an original, fascinating title. In other words, don't title it "An Essay on Long Day's Journey Into Night."

Good luck. I can't wait to read essays about my favorite American play!

Essay Topics for Long Day's Journey Into Night

1. This play is rich in imagery. Select one of the following images and do the following with it. Discuss its context (where it shows up in the play), how it reflects and deepens a particular character, and how it amplifies a particular theme. Images to consider: fog/foghorn, the sea, ghosts of the past, the Convent, the Blessed Virgin Mary, the wedding dress. Have fun with this topic!

2. This play is filled with thematic threads that run through the work, creating a tapestry of ideas. Take one of the following "thematic threads" and discuss how it is worked throughout the play. Also, consider how this particular thread connects to the four principal characters in the play. Thematic threads:

**Mary's marriage to James Tryone; life "on the road" in "second-rate hotels"

**James Tyrone's "miserly" ways throughout their marriage

**the promise of Jamie's success versus his seeming failure in the present

**James Tyrone's early ambitions (career; property) versus his epiphany of his part in the disintegration of his family

**references to Ireland and the Irish

**Mary's recurring obsession with images of the past as accumulating "symptoms" of her imminent breakdown

3. This play is famous for its almost claustrophic setting (an old, two-story house). Write an essay in which you discuss the role that the setting has on the play as a whole (its relation to the characters, to thematic ideas, to the overall atmosphere).

4. Select one of the four characters from this play and discuss this character's "function" in the work. Consider how the play would be different if ANY one of these characters were missing. In essence, you're writing a full-fledged character analysis of your selected character, so consider such aspects as physiognomy (physical appearance), psychological depth, transformation/change/development, and the like.

5. Discuss the structure of this play. Why do you think O'Neill chose to tell the story in the span of about 18 hours? What is the effect of telling/structuring the play in this manner? Consider, also, the importance of the title of the play. Finally, think about the opening and closing scenes of this play. Do you see a particular pattern or progression?

6. This prompt is for actors/actresses! You've been given one of the four parts in O'Neill's classic play. If you were to perform this role, what preparation would you need? What techniques would you need to employ to pull this performance off? What are the pitfalls/obstacles to taking on a role of this stature? What would you bring (in terms of acting technique) to this role? This is a risky, but interesting, topic. Only the brave should attempt it. :)

7. This is a play rich in light and dark imagery. In fact, one can see this as a play overflowing with contrasts (light and dark, noise and silence, movement and stillness, downstairs and upstairs, inside and outside, drunk and sober, awake and dreaming). Write an essay in which you consider what you feel are the vital contrasts at work in this play.

8. How do drugs and alcohol function within this play? Discuss the role they have in the lives of the Tyrones and the role they have from a literary standpoint.

9. Discuss the role of lying/deception in this play. Who lies to whom, when do they lie and why? How are lies treated by O'Neill, and what part do they have in the play as a whole?

10. Discuss O'Neill's use of broken dreams in the play. What do they mean to the characters, and what do they symbolize? How are the dynamics between characters affected by broken dreams?

Stephanie Yap -- O'Neill Essay

Diane Williams -- O'Neill Essay

Amy Whitehurst -- O'Neill Essay

Will Weiner -- O'Neill Essay

Sasha Treadup -- O'Neill Essay

Julius Tanag -- O'Neill Essay

Yarin Sanchez -- O'Neill Essay

Grace Rieger -- O'Neill Essay

Jennifer Rick -- O'Neill Essay

Elise Richieri -- O'Neill Essay

Salma Rashan -- O'Neill Essay

Meagan Powers -- O'Neill Essay

Emily Pool -- O'Neill Essay

Arleen Ponce -- O'Neill Essay

Bryan Petry -- O'Neill Essay

Boris Patlis -- O'Neill Essay

Nichole Paquet -- O'Neill Essay

Tara Ormsby -- O'Neill Essay

Alex Nguyen -- O'Neill Essay

Cara Nelson-Archer -- O'Neill Essay

Carlos Navedo -- O'Neill Essay

Meredith Muecke -- O'Neill Essay

Kelly McClendon -- O'Neill Essay

Tammy Lu -- O'Neill Essay

Kellie Johnson -- O'Neill Essay

Jake Holslag -- O'Neill Essay

Christy Helvestine -- O'Neill Essay

Lauren Hagaman -- O'Neill Essay

Miranda Good -- O'Neill Essay

Ariane Estepa -- O'Neill Essay

Joe Deignan -- O'Neill Essay

Amanda Danskin -- O'Neill Essay

Kelli Curtis -- O'Neill Essay

Bradyn Blower -- O'Neill Essay

Chelsea Bakewell -- O'Neill Essay

Ryan Andersen -- O'Neill Essay

Maya Zapata -- O'Neill Essay

Homayra Yusufi -- O'Neill Essay

Brianne Watson -- O'Neill Essay

Jeanine Tan -- O'Neill Essay

Michael Sullivan -- O'Neill Essay

Megan Stein -- O'Neill Essay

Elaena Stanitsas -- O'Neill Essay

Max Solar -- O'Neill Essay

Craig Schallhorn -- O'Neill Essay

Mylene Reyes -- O'Neill Essay

Kelly Purcell -- O'Neill Essay

Ariel Patashnik -- O'Neill Essay

Emily Olson -- O'Neill Essay

Graham Nicastro -- O'Neill Essay

Annika Mossberg -- O'Neill Essay

Chelsea Morrell -- O'Neill Essay

Kristine Mayer -- O'Neill Essay

David Marino -- O'Neill Essay

Natalie Maches -- O'Neill Essay

Peter Le -- O'Neill Essay

Te'Aira Law -- O'Neill Essay

Stephen Kukuchek -- O'Neill Essay

Kelsey Jones -- O'Neill Essay

Alyssa Huckleberry -- O'Neill Essay

Ken Hayama -- O'Neill Essay

Adam Harwayne -- O'Neill Essay

Karly Hall -- O'Neill Essay

Adrienne Fernandez -- O'Neill Essay

Jennifer Fait -- O'Neill Essay

Devin Dreszer -- O'Neill Essay

Adam Cohen -- O'Neill Essay

David Blomgren -- O'Neill Essay

Pam Bhattacharya -- O'Neill Essay

Brian Beyersdorf -- O'Neill Essay

Lindzy Anderson -- O'Neill Essay

Joyce Almario -- O'Neill Essay